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理解新大众文艺的三个维度

Three Dimensions for Understanding the New Popular Literature and Art

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【作者】 邢建昌

【Author】 XING Jianchang;College of Chinese Language and Literature, Hebei Normal University;

【机构】 河北师范大学文学院

【摘要】 新大众文艺不仅是一种文艺现象,也是影响广泛的社会文化思潮。新大众文艺对媒介技术具有天然的依赖性,但媒介技术却不能说明新大众文艺何以如此。考察新大众文艺,需要在媒介技术变革与社会历史变迁的双重视域下进行。在对时代状况的深刻体认中把握新大众文艺之“新”,防止媒介景观对新大众文艺“大众”身份的遮蔽以及对现实性的疏离。新大众文艺倒逼文艺理论与批评的转型,以“大文学观”的思路重新思考作者、读者、文本、媒介、传播等概念,建构一种基于新大众文艺实践的文艺理论与批评话语体系。

【Abstract】 The new popular literature and art is not only a phenomenon of literary and artistic production but also a widely influential social and cultural trend. Although the new popular literature and art is naturally dependent on media technology, media technology alone cannot explain why it has emerged in its current form. An examination of the new popular literature and art must be conducted within the dual perspective of technological transformation and socio-historical change. By deeply recognizing the condition of the contemporary era, we can grasp what is genuinely “new” about the new popular literature and art, while guarding against the tendency of media spectacle to obscure the “mass” identity of this literary and artistic form and to alienate it from reality. The new popular literature and art compels a transformation in literary theory and criticism. Adopting a “broad conception of literature, ” we need to rethink such concepts as author, reader, text, medium, and dissemination, in order to construct a theoretical and critical discourse system grounded in the practice of the new popular literature and art.

【基金】 国家社会科学基金一般项目“近40年文学理论知识生成机制的反思性研究与文献整理”(项目编号:19BZW002)
  • 【文献出处】 河北师范大学学报(哲学社会科学版) ,Journal of Hebei Normal University(Philosophy and Social Sciences) , 编辑部邮箱 ,2026年03期
  • 【分类号】I206.7;J124
  • 【下载频次】307
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