【摘要】 新大众文艺时代，在压缩现代性与深度媒介化的双重语境下，电影叙事发生深刻变革，日益走向兼具“模组化”与“液态化”双重特质的“液晶叙事”样态。模组叙事强调故事的可量化和数据库化，强类型融合、数据库叙事、萌要素拼贴等现象引人注目。液态叙事强调故事的流动性与透明化，故事成为开放交互的场域，同时讲述愈发追求叙事效率。未来，电影叙事既要不断借助新技术开拓新语法，更要坚守自身独特优势，致力于塑造新大众文艺时代的文化共同体。更多还原

【Abstract】 In the era of “new forms of literature and art for the general public”, under the dual conditions of compressed modernity and deep mediatization, Chinese cinematic narrative is undergoing a profound transformation, progressively evolving into a “liquid crystal narrative” characterized by both modularity and liquidity. Modular narrative emphasizes the quantifiability and database-oriented structuring of stories, as reflected in phenomena such as strong genre hybridization, database narrative, and the assemblage of so-called “moe” elements. Liquid narrative highlights the fluidity and transparency of storytelling, in which narratives become open and interactive fields while increasingly prioritizing narrative efficiency. Looking ahead, cinematic narrative should not only continue to develop new grammars through emerging technologies but also retain its distinctive strengths, thereby contributing to the formation of a cultural community in the era of “new forms of literature and art for the general public”.更多还原