【摘要】 南北分野之说乃是中国传统深层的、顽强的文化记忆，它建构起有效的地理叙事范畴，构成中国古典乃至现代经典性的文学理论范式。南北分野的文学地理学范式一直隐含在中国文学从古至今的发展脉络中，它不只表明中国文学有着异常顽强的传统延续性，同时也表明中国文学与西方文学有着非常不同的审美构成和价值取向。地理空间性是我们的想象的建构，但它确实又有传统性的积淀，有着深挚的文化记忆，现代性的建构和当代性的冲动与之共同生成南北分野之说的合理性依据。当前文学创作与研究中关于“新南方写作”的想象，再次强化了当代文学试图通过地理学路径打开未来面向的企图。新的写作源自农耕文明的地气，这是它的本分，也是它的命运。它离世界文学只有一步之遥，但中间横亘着的依旧是中国的山川大地。更多还原

【Abstract】 The North-South divide represents a profound and enduring cultural memory rooted in Chinese tradition.It establishes an influential geographical narrative category and constitutes a classical and even modern paradigm of Chinese literary theory.This literary-geographical paradigm,implicit throughout the evolution of Chinese literature since ancient times,highlights two key aspects:the remarkable continuity of Chinese literary traditions,and their distinct aesthetic composition and value orientation compared to Western literature.While geospatiality is a construct of human imagination,it carries the weight of traditional accumulation and deep cultural memory.These elements,intertwined with the processes of modernity and the impulses of contemporaneity,collectively provide a rational foundation.In the current era,the concept of "New South writing" in literary creation and scholarship reaffirms contemporary literature’s aspiration to chart a future orientation through geographical paths.This new mode of writing is deeply grounded in the essence of agrarian civilization,which defines both its role and its destiny.Though it stands at the threshold of global literature,it remains profoundly connected to the landscapes and terrain of China.更多还原