【摘要】 针对当前声音研究领域存在的“不对称性”问题，行动者网络理论可以提供一种关于“声音-技术-社会”的研究思路。在既往研究中，声音概念存在自然与社会文化的二元对立，声音技术分析则内含人类/非人与前现代/现代的割裂。基于行动者网络理论的“非现代”视角，可将声音重新定义为具有奇异性的事件，强调声音技术作为中介者的动态角色，进而剖析声音网络的集体性联结。声音的奇异性消解了本体论与社会建构论的片面性，揭示了声源、介质与接收者的动态互动；声音技术通过其中介性实践编织异质行动者网络；声音的集体性凸显技术物、权力部署与社会间的复杂联结关系。通过采纳三种属性的分析，可为“声音-技术-社会”研究提供一种新的范式。更多还原

【Abstract】 This study addresses the “asymmetry” problem prevalent in current sound studies, where the concept of sound often entails a binary opposition between nature and socio-culture, and the analysis of sound technology reveals a schism between human/non-human and pre-modern/modern categories. Employing Actor-Network Theory(ANT) from a “non-modern” perspective, the research redefines sound as a singular event, emphasizes the dynamic role of sound technology as a mediator, and analyzes the collective connections within sound networks. The singularity of sound resolves the partiality inherent in both ontological and social constructivist approaches, revealing the dynamic interplay among sound sources, transmission media, and receivers. Sound technology, through its mediatory practices, weaves heterogeneous actor-networks. The collectivity of sound highlights the complex interconnections among technical objects, power deployments, and society. By integrating these three attributes, the study proposes a novel paradigm for “sound-technology-society” research.更多还原