【摘要】 数字时代，表演的“人主体性”被消解，意味着必须重新阐释电影表演的本体论。电影表演本体论出现了三个不同层面的改变。在数字电影中，表演沦为算法对胶片表演的模仿，演员的存在意义同样发生了改变，观众在很大程度上扮演着演员的角色。更多还原

【Abstract】 In the digital age,the dissolution of the "human subjectivity" of performance necessitates a re-examination of the ontology of film performance.The ontology of film performance has undergone three shifts at distinct levels:in digital cinema,performance is reduced to algorithmic imitation of film-era acting.The existential significance of the actor is likewise transformed,while the audience,to a large extent,assumes the role of performer.更多还原