【摘要】 关中地区北朝道教造像碑是多民族融合的独特见证。本文基于40余通造像碑的考古材料，从图像符号、服饰文化与信仰实践三个维度，揭示北朝多民族文化交融的路径与机制。研究表明，北朝民族交融并非单向的汉化或胡化，而是基于物质文化的在地化重构与信仰认同的整合，这一进程为隋唐多元一体的文化格局奠定了基石。更多还原

【Abstract】 The Taoist statues and stele from the Northern dynasties in the Guanzhong region serve as a unique testament to the convergence of Silk Road civilizations and ethnic integration. Utilizing over 40 archaeological specimens, this paper elucidates the pathways and mechanisms of multi-ethnic cultural integration during the Northern dynasties through three dimensions: iconographic symbolism, attire culture, and belief practices. The findings indicate that ethnic integration in the Northern dynasties was a complex phenomenon grounded in the local reconstruction of material culture and the synthesis of belief identities. This process laid the foundation for the multicultural patterns observed in the subsequent Sui and Tang dynasties.更多还原