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田汉:民族—时代精神之光、之殇——大变局视野下的百年回眸

Tian Han: The Radiance and Ordeal of the National and Epochal Spirit——A Centennial Retrospective in an Age of Transformation

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【作者】 谭霈生; 丁涛;

【Author】 Tan Peisheng;Ding Tao;

【机构】 中央戏剧学院;

【摘要】 田汉作为中国现代戏剧史的开拓者、奠基者、领导者之一,既是著名剧作家,又是颇具影响力的活动家,其中的联系体现了田汉一生艺术追求及实践的关键所在。本文通过田汉“弃政从艺”的社会人生选择,及其发起的“南国艺术运动”的兴衰,以及田汉创作的代表作品深度分析,探究其“新浪漫主义”艺术主张与民众戏剧运动的二元构成。深入理解田汉在中国现代戏剧史上极具特质的艺术观、人生观、政治观、社会观、世界观,及其在百年时代变局中的艺术追求与家国理想。

【Abstract】 As one of the pioneers, founders and leaders in modern Chinese drama history, Tian Han was not only a famous playwright but also an influential activist,and the connection of the dual identity embodies his lifelong artistic pursuit. Through his life-altering shift from politics to art, the rise and fall of the Southern Art Movement he initiated, and in-depth analysis of his representative works, this paper explores his Neo-Romanticism doctrine and his contribution to the People’s Theatre Movement. It delves into Tian Han’s distinctive perspectives on art, life, politics, society, and the world within modern Chinese theatre history, as well as his artistic pursuits and ideals of national rejuvenation amidst a century of epochal transformations.

  • 【文献出处】 戏剧(中央戏剧学院学报) ,Drama(The Journal of the Central Academy of Drama) , 编辑部邮箱 ,2025年04期
  • 【分类号】I207.3;J805;K825.78
  • 【下载频次】86
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