【摘要】 在以“伟大建筑”为绝对核心的西方建筑史写作中，文艺复兴占据着重要的位置。与此同时，文艺复兴还蕴藏着颠覆这一建筑“拜物教”思想的种子——图像。它们由艺术家/建筑师所绘制，传达出超前的理念、视野、个人野心以及群体智慧。它们虽然伴随建筑而生，但成为独立的存在。对这些图像的解析将颠覆公众对大师名作的常识认知，以及由其构成的建筑史的普遍价值标准。“图解”下的文艺复兴建筑史并非一尊稳定可靠的美学纪念碑，而是一种广阔的、激荡的历史现象。更多还原

【Abstract】 In the discourse of Western architectural history, where great architecture is positioned as the absolute core, the Renaissance holds an important position. At the same time, the Renaissance also contains the seeds that subvert this architectural fetishism—images. They are created by artists(or architects), conveying forward-thinking ideas, visions, personal ambitions, and collective wisdom. While they are born alongside the architecture, they become independent entities. The analysis of these images challenges our common understanding of the masterpieces by these masters and the universal value standards that constitute architectural history. Through illustrative analysis,the history of Renaissance architecture is revealed not as a stable and reliable aesthetic monument, but as a vast and dynamic historical phenomenon.更多还原