【摘要】 中国古代诗歌的创作原理存在一定的规律性。通过研究实验的三个阶段，可以看出创作原理的发掘也是对古代文学研究范式的新探索：第一阶段以唐前诗歌体式的生成与发展为中心，从诗歌的节奏入手解释其艺术表现及创作传统，加深对“辩体”的理解。第二阶段以杜诗艺术及体式创新为中心，重新审视了杜诗“创体”的历史贡献。第三阶段以中唐古诗的尚奇之风为中心，重点从艺术想象与构思原理的角度，结合“贞苦士”的“补元化”理想与“笔补造化”理念，阐发中唐奇险诗的创作源头与形成原因。三个阶段的研究说明应针对不同对象不断变化思路，才能对古代诗歌创作实践做出学理性诠释。更多还原

【Abstract】 There existed certain regularity in the creative principles of ancient Chinese poetry, and exploration of such principles also means new exploration of research paradigm on ancient literature. The studies of creative principle of ancient Chinese poetry can be divided into three phases: the first phase centered on the generation and evolution of poetic style before the Tang dynasty, which interpreted the artistic expression and creation tradition of poetry from the rhythm, and deepening the understanding of “style differentiation”; the second phase centered on the artistic and style creation of Du Fu’s poems, and re-examining his historical contribution on poetic style; and the third stage centered on the fashion of valuing the peculiar in the mid-Tang classical poetry, and elucidated the creative source and forming reason of poems in such style especially in the perspectives of artistic imagination and conceptual principle. Reasonable academic interpretation of the creative practice of ancient poetry could only be made on account of different objects.更多还原