【摘要】 持续更新迭代的数字人文技术为文学批评提供了新的方法论与诠释路径，同时也引发了关于其理论适用性与实践可能性的讨论。本文围绕“文学的数字人文批评如何可能”这一核心问题，探讨其理论话语、实践场域及诗学建构路径。首先，通过梳理文学数字人文批评的现状与问题，指出传统批评范式在数字语境下的局限性，并分析其话语体系从文本中心向数据驱动的转变趋势。其次，设置人-机具身交互情境下文学数字人文批评的实践场域，应关注技术中介性、主体协同性与文本生成性的动态融合，强调人机协作对批评范式的重构作用。最后，提出“生成式数字诗学”的批评进路，构建虚实共生与动态协商的智能生态，推动批评实践从静态分析转向制作、解释与批判性并重的动态过程。更多还原

【Abstract】 The continuously updating and iterating digital humanities technologies have provided new methodologies and interpretive pathways for literary criticism, while also sparking discussions about their theoretical applicability and practical potential. Centered on the core question of “how is digital humanities criticism of literature possible, ” this paper explores its theoretical discourse, practical domains, and poetic construction. First, by reviewing the current state and challenges of digital humanities criticism, it defines the limitations of traditional critical paradigms in a digital context and analyzes the shift in discourse from text-centered to data-driven approaches. Then, it highlights the need to focus on the dynamic integration of technological mediation, subject collaboration, and textual generativity in human-machine embodied interaction contexts, emphasizing the role of human-machine cooperation in reshaping critical paradigms. Finally, it proposes a critical approach based on “generative digital poetics, ” aiming to construct an intelligent ecosystem characterized by the symbiosis of the virtual and the real, and by dynamic negotiation.This approach seeks to transform critical practice from static analysis to a dynamic process that integrates production, interpretation, and critique.更多还原