【摘要】 科幻题材的影视作品中存在诸多的“反情节”叙述，其中包括“另叙述”与“否叙述”,但二者的概念长久以来界定不清，以致在实际理论研究和具体文本分析中经常出现混乱。通过辨析“另叙述”的含义，将“另叙述”剖分为纯粹性“另叙述”与条件性“另叙述”两个亚类型，可以解决科幻影视作品中循环叙事的性质归属问题。通过定位“否叙述”在叙述框架中的位置并确定“否叙述”的属性，明确了“否叙述”是未被文本世界实在化的次级叙述，且属于情节中的特殊模式。解析“另叙述”与“否叙述”的特质，可以发现“反情节”叙述的研究有利于从多方位拓展科幻影视情节的结构组建理论，有利于科幻影视叙述策略的进一步探索。更多还原

【Abstract】 There are many “counter-plot” narration in science fiction film and television, including “denarration” and “disnarration”, but the two concepts are not clearly defined for a long time, so that there are often confusion in the practical theoretical research and concrete text analysis. “Denarration” can be divided into two sub-types: pure “denarration” and conditional “denarration” by discriminating its meaning in order to solve the attribution of cyclic narrative. By positioning“disnarration” in the narrative frame and determining the attributes of “disnarration”, we can clearly know that “disnarration” is a sub-narrative that has not been materialized by the text world and belongs to a special mode in the plot. By analyzing the characteristics of “denarration” and “disnarration”, it finds that the study of “counter-plot” narrative is conducive to expanding the theory of the structure of science fiction film and television from various aspects, and further exploration of the narrative strategy.更多还原