【摘要】 《上海文学》以时代性、文学性、探索性为旗帜，为重塑上海文化审美共同体提供了媒介传播的能动装置。编辑话语努力探索立足上海、面向全国的“编—读—写”审美共同体，呈现出社会转型见证、重塑上海文化的深层互动。“编—写”审美共同体通过编者的话、栏目设置来修复怀旧记忆偏离下的“情感的上海”；通过国企改革叙事与新工人书写构建“事实的上海”，以集体记忆完善审美共同体的在地化经验；“编—读”审美共同体以石库门市民为读者定位，“海纳百川”的新移民文化与石库门市民文化的趣味区隔细分了期刊共同体的审美定位。以“转型”作为重返历史现场的枢纽和方法，审视20世纪90年代《上海文学》与上海文化审美共同体之间“见证—转型—重塑”的历史嬗变，不仅意味着激活文学期刊作为深描社会转型的中介，重构上海文化审美共同体的情感载体，也意味着在重绘上海文化格局的同时，努力构建城市命运共同体的审美经验与动力机制。更多还原

【Abstract】 Shanghai Literature, with contemporaneity, literariness and exploration as its uniqueness, provides a good example of how to reshape the aesthetic community of Shanghai culture through media communication. The aesthetic community based on editing, reading and writing takes an active interaction not only to represent social transformation as a witness, but to reshape Shanghai culture with journal editing.The editing-writing circle amends “the emotional Shanghai” through both the editors’ words and column settings with narration of state-owned enterprise reform and the writing of new workers which reconstructs the factual Shanghai and the local experience by collective memory. The editing-reading circle takes the citizens of Shikumen as the target reader, distinguishing the aesthetic orientation with the new immigrant culture and Shikumen citizen culture. The above analysis implies that literary journals can not only serve as intermediaries for redrawing the cultural landscape of Shanghai and deepening social transformation, but also as a way of presenting aesthetic experiences of the urban community with a shared future.更多还原