【摘要】 遭受贬谪的苏轼创作了大量具有隐逸风格的作品，展现出中国士大夫隐逸文化精神发展脉络，体现了白居易倡导的“中隐”思想对他的深刻影响。在“中隐”思想的引导下，苏轼形成了一种超越性的阅世逻辑，使他不为主观情感和现实困扰，能够以冷静而幽默的目光审美化地认知事物。这种超越性的审美观赋予其词作以“旷达”的精神气质。在这种审美视角下，苏轼积极吸收北宋民间俳谐表演的形式，发展出俳谐词体。这类词作不仅承载了他独特的阅世逻辑，也延续了士大夫隐逸文化中“娱情”的传统路径。更多还原

【Abstract】 During his periods of exile, Su Shi composed numerous works in a reclusive style, reflecting the spiritual trajectory of the Chinese literati’s culture of withdrawal. His writing particularly reveals the profound influence of the concept of “moderate reclusion” a philosophy advocated by Bai Juyi. Guided by this philosophy, Su Shi developed a transcendent worldview that enabled him to remain detached from subjective emotions and worldly troubles, perceiving reality with a calm, humorous, and aesthetic gaze. This transcendent perspective imbued his ci poetry with a spirit of “open-minded magnanimity”. From this aesthetic standpoint, Su Shi actively absorbed the forms of popular comic performance from the Northern Song and developed a style of comic and satirical ci. These works not only carry his unique worldly logic but also continue the traditional literati path of finding “entertainment and emotional release” in reclusion.更多还原