【摘要】 与重在墨线勾描的界画不同，金碧山水中的建筑形象以色块填涂为主，以往并不被视作能够有效传递构造信息、反馈设计思想的媒材。举《九成避暑图》《京畿瑞雪图》为例，借尺规作图揭示其几何定位法则，探究古人如何利用扩大模数简略控制物形比例，借图示分析法核验建筑形象的计度方式，即运用何种“算法”投射营造知识，并进一步挖掘其中潜藏的构图秩序与创作理性。更多还原

【Abstract】 Jin Bi landscape paintings feature ornate coloration and intricate architectural depictions. Unlike architectural paintings drawn with rulers, their technique prioritizes color filling over ink-line delineation. Consequently, scholars seldom regard them as effective media for transmitting structural information or ref lecting traditional design logic in studies of ancient Chinese architecture. This paper analyzes Summer Retreat at Jiucheng and Snowscape in the Capital as case studies. Employing compass-and-ruler analysis, it reveals geometric positioning principles and investigates how painters utilized enlarged modules(e.g., bracket-set height, bay width) to simplify propor tional control. Through graphic deconstruction, the study verifies measurement methods in architectural representation, deciphers the "algorithm" projecting construction knowledge, and uncovers latent compositional order and creative rationality.更多还原