【摘要】 从关注如何“跨”媒介这一问题出发考察数字艺术跨媒介实践的过程，这一过程在技术性和媒介性、随机性和受控性、自反性和指涉性这三重辩证关系中展开。三重辩证关系紧密关联，彼此共生和交织，形成数字艺术跨媒介实践的内在逻辑：技术性与媒介性的辩证关系构成数字艺术跨媒介实践的基础，并贯穿于整个过程；随机性与受控性的辩证关系主导了技术转化为媒介的操作过程；自反性与指涉性的辩证关系则指示着技术转化为媒介的方向。对三重辩证逻辑的考察，揭示了数字艺术跨媒介实践作为动态的过程所具有的潜能，体现于超越“技术显像”、培育数字感性、拓展公众参与等方面。更多还原

【Abstract】 By examining the process of transmedia practice in digital art through the lens of how to “transcend” media, it becomes evident that this process unfolds within a triple dialectical logic: technicality and mediality, randomness and control, reflexivity and referentiality. These three dialectics are closely interconnected, coexisting and interweaving with one another. The dialectic of technicality and mediality forms the foundation of transmedia practice in digital art and permeates the entire process; the dialectic of randomness and control governs the operational process of transforming technology into media; and the dialectic of reflexivity and referentiality indicates the direction in which technology is transformed into media. Investigating this triple dialectical logic reveals the potential of transmedia practice in digital art as a dynamic process, manifested in transcending “technophanie”,cultivating digital sensibility, and expanding public participation.更多还原