【摘要】 本讲探讨了存在于礼乐文明背阴面的文化现象，它既与音乐有关，却不是典型的音乐现象；也往往与音乐无关，而被人当作音乐文献误读和抛弃，中国音乐文化史上有许多被遮蔽的这类背阴面的东西，需要我们去研究和思考。但，为什么几千年来这些背阴面的现象一直到今天都存在？为什么礼乐文明会拖着个长长的阴影？这些现象有什么样的情状？在正史材料与边缘材料之间苟存着的这些边缘思想，有什么样的研究价值？为什么一些著名于音乐史的人物兼有占卜家身份？音乐史家以为是民歌的文字却出现在占筮卜辞中？而一些乐图却暗示着占图？对于这些东西，今天的人们不能回避和假装看不见，从思想史的意义上不妨开展思考。更多还原

【Abstract】 This lecture discusses the cultural phenomena that exist in the dark side of ritual and music civilization.These phenomena are related to music but not typical musical phenomena,while sometimes,they are unrelated to music but misread and discarded as musical literature.Many such obscure elements exist in the history of Chinese music culture,requiring research and reflection.However,why have these obscure phenomena persisted for thousands of years?Why does ritual and music civilization cast a long shadow?What are these phenomena?What research value do these marginal ideas—existing between official historical materials and marginal materials—possess?Why were some famous figures in music history also diviners?Why does text once regarded as folk songs by music historians appear in divination?And why do some musicrelated images carry divinatory implications?Today,people cannot avoid or ignore these issues;Instead,they may wish to reflect on them in the perspective of intellectual history.更多还原