【摘要】 在铸牢中华民族共同体意识作为主线和重要任务的时代背景中,民族艺术学作为一个学科或研究领域的地位和作用愈加凸显,在全方位、全领域、全要素的哲学社会科学体系中应有一席之地。民族艺术学以民族艺术作为研究对象,关注民族艺术现象、艺术实践者的艺术活动,强调田野民族志研究,在学科调整和交叉学科建设背景中争取更大的发展空间。建设民族艺术学“三大体系”必须更好地认清基本定位、发展战略、学科性质和研究对象,认识和处理好学科体系、学术体系、话语体系间的关系,在文化自信基础上实现学术反思与文化自觉。以本土性与世界性关系为核心,认识和处理好传统与现代、差异性与共同性、理论与实践、个体与群体等诸种关系,实现突破。更多还原

【Abstract】 Against the backdrop of the times where consolidating the consciousness of the Chinese nation as a community is the main thread and a significant task, the status and role of the discipline or research field of ethnic art studies have become increasingly prominent. It should have its place in the comprehensive, all-round, and all-factor system of philosophy and social sciences. Ethnic art studies take ethnic art as its research object, focusing on ethnic art phenomena and the artistic activities of art practitioners. It emphasizes conducting research based on in-depth fieldwork and ethnography. Against the backdrop of disciplinary adjustments and the development of interdisciplinary studies, ethnic art studies should be given greater room for development. To build the "three major systems" of ethnic art studies, it is necessary to have a better understanding of the basic positioning, development strategy, disciplinary nature, and research objects of ethnic art studies, and to recognize and handle the relationship among the disciplinary system, academic system, and discourse system. On the basis of cultural confidence, academic reflection and cultural awareness should be achieved. Taking the understanding and handling of the relationship between local and global as the core, we should recognize and deal with various relationships such as tradition and modernity, difference and commonality, theory and practice, individual and group, and build the discipline system, academic system, and discourse system of Chinese ethnic art studies.更多还原