【摘要】 颜之推是我国南北朝时期著名的文学家，《颜氏家训》充分体现了他的文艺观。在文学创作上，颜之推认为文章之道在于敷显仁义、经世致用，肯定了文章的社会价值与实用功能；同时他还主张有机构成论，强调文章内容与形式的依存关系，既要有深邃的思想内涵，又要有动人的艺术表现。在艺术研习上，颜之推汲取了传统儒家诗教、乐教的精髓，提出了博学多艺的艺术观念，打破了“诗”与“乐”的边界，将艺术的范畴拓展至文学、书法、绘画、音乐等多元领域。而在艺术追求上，颜之推又从立身之本、生存之道以及独立的儒家人格三个方面论述了他“此艺不须过精”的文艺观。更多还原

【Abstract】 Yan Zhitui was a renowned literary figure during the Northern and Southern Dynasties period in China. His bookY an Family Instructionsfully embodies his views on literature and art. In terms of literary creation,Yan Zhitui believed that the essence of writing lies in promoting benevolence and righteousness, and applying knowledge to practical use, affirming the social value and practical function of literature. At the same time, he advocated for an organic composition theory, emphasizing the interdependence between content and form, requiring both profound ideological depth and captivating artistic expression. In the study of art, Yan Zhitui drew on the core teachings of traditional Confucian poetry and music, proposing a broad and versatile artistic concept that transcended the boundaries between "poetry" and "music", expanding the scope of art to include literature,calligraphy, painting, and music. In his pursuit of art, Yan Zhitui also discussed his view that "this art does not need to be overly refined" from three aspects: the foundation of personal conduct, the principles of survival, and the independent Confucian personality.更多还原