【摘要】 “空符号”在语言学、符号学和文艺作品当中普遍存在，由于其隐而不显的表现形式而让人难以察觉，学界对此亦争议不断。但“空符号”作为符号之一种，仍需同时具有能指与所指的符号基本条件。因此“空符号”的“空”,是指能指表现形式为无声、无色或无形，需要在有声、有色或有形的背景与符号衬托下方可感知。“空符号”的意义可以是空白，但不是无法获得意义。目前有关“空符号”文本的具体解析，大多集中于文学文本或电影分析。对于大量存在空白、缺席手法的绘画与其他当代艺术形式，“空符号”的理论分析较少。以“空符号”视角审视视觉艺术中的留白、空缺现象，一方面能够丰富“空符号”的理论体系，另一方面有助于理解空白手法背后的美学价值。更多还原

【Abstract】 “Blank-sign” is a kind of special sign, which exists universally in linguistics, semiotics and literary works. Due to its imperceptible form of expression, there has been ongoing controversy in the academic circle. But as a kind of sign, “blank-sign” still needs to have the basic conditions of signifier and signified sign. Therefore, the vacancy of “blank-sign” means that the sign vehicle is silent, colorless or invisible, and it can be perceived under the background and sign of sound, color or tangible. The meaning of “blank-sign” can be blank, but it is not impossible to obtain meaning. Most of the current case studies of “blank-sign” texts focus on literary texts or film analysis. For the visual arts and contemporary art, where there are a lot of blanks and absence techniques, the theory of “blank-sign” has been less applied and analyzed. Thus, analyzing the phenomenon of blank space and vacancy in visual art from the perspective of “blank-sign” can not only enrich the theoretical system of “blank-sign”, but also help to understand the aesthetic value behind the method of blank space.更多还原