【摘要】 作为巴蜀五君子之一的当代诗人张枣，善于运用意象来构建诗歌的深层结构和情感空间。“镜”作为他作品中反复出现的元素，不仅是物理世界的直观反映，更承载了诗人对自我、他者与世界关系的深邃思考。然而，与目前学界对张枣诗歌中“镜”意象的古典性和传统性研究相比，其现代性层面的探讨显得相对不足。本文切入这一研究空白，从孤独“流亡”的现代情感表达、现代人的自我身份建构的困境，以及现代时空的重构三重维度展开论证，阐释了“镜”意象在张枣诗歌中折射出的多重意义及现代性内涵。在当代诗歌语境中挖掘“镜”意象的现代性表达，为丰富张枣“化欧化古”的诗学观念，推进传统意象的现代转化提供了有效路径。更多还原

【Abstract】 As a modern poet and one of the Five Gentlemen of Bashu, Zhang Zao was proficient in using images to construct the deep structure and emotional space of his poems. The“mirror”, as a recurring element in his works, is not only an intuitive reflection of the physical world but also carries the poet’s profound contemplations on the relationship between the self, the other, and the world. However, compared with the current academic research on the classical and traditional aspects of the“mirror”image in Zhang Zao’s poems, the exploration of its modernity is relatively insufficient. This article addresses this research gap and conducts an argument from three dimensions: the expression of modern emotions of loneliness and exile,the dilemma of the construction of the modern self-identity, and the reconstruction of modern time and space. It interprets the multiple meanings and modern connotations reflected by the“mirror”image in Zhang Zao’s poems. By exploring the modern expression of the“mirror”image in the context of contemporary poetry, it provides an effective path for enriching Zhang Zao’s poetic concept of“assimilating European and ancient elements”and promoting the modern transformation of traditional images.更多还原