【摘要】 《点绛唇·蹴罢秋千》历来被认为是李清照书写与赵明诚初遇情景的自传式词作，然而事实可能并非如此。首先，从版本源流的角度出发，此词作者存疑，并不确定为李清照所作；其次，结合北宋时期作闺情词之风尚、李清照作词之櫽括习惯以及词作意象内容等诸多方面进一步分析，此词应为李清照或他人在韩偓《偶见》原诗基础上櫽括形成的代言体闺情词，并非李清照对自身少女生活片段的自传式书写。这为解读易安词提供了新的启发，应当破除自传体解读的思维定式，采取更加理智客观的态度观照其作品本身。更多还原

【Abstract】 Rouged Lips· Finish Playing Swinghas always been considered as an autobiographical cipoem by Li Qingzhao, depicting the scene of her first encounter with Zhao Mingcheng. However, the truth may not be the case. First, from the perspective of the origin of the version, the authorship of this ci-poem is in doubt, and it is not certain that it was written by Li Qingzhao. Second, by further analyzing the fashion of making boudoir love ci-poems in the Northern Song Dynasty, Li Qingzhao’s habit of adapting poems, and the imagery and content of this ci-poem, it can be concluded that this ci-poem should be a boudoir love ci-poem in the voice of others, adapted by Li Qingzhao or someone else based on Han Wo’s original poem Casual, rather than an autobiographical account of Li Qingzhao’s own girlhood life. This provides a new inspiration for the interpretation of Yi’an Ci. We should break the stereotype of autobiographical interpretation and adopt a more rational and objective attitude to observe her works.更多还原