【摘要】 作为一个开放性概念，“移动性”在纳博科夫的人生和写作中是一种典型经验和诗学隐喻。本文把纳博科夫的流亡生涯大致分为三个阶段，每个阶段分别截取作家不同体裁的文本断片或侧写其博物学研究兴趣，尝试从一个移动性视角加以综合考察。三个阶段大致对应作家在三个物理空间画出的“圆形”旅行路线，同时也契合其文学创作模式中的正题—反题—合题这一螺旋式上升结构。从现代主义的流散书写到主观现实主义的创新实践，再到拓展叙事边界的超越性自我表征，纳博科夫不同体裁的写作在形式上持续变化，其思想也随着空间位移而不断深化，因此文本内外的纳博科夫都为移动性理论提供了巨大的阐释空间。更多还原

【Abstract】 As an open-ended concept, “mobility” serves as both a defining experience and a poetic metaphor in Vladimir Nabokov’s life and his literary oeuvre. Attempting to comprehensively examine Nabokov’s exile life, the article tends to divide his life in exile into approximately three phases, each of which is observed through a selection of the fragments of his creative texts of different genres or a profile of his interest in natural history. In fact, these three phases roughly echo the form of “circle” drawn by his travelling routes in physical spaces,simultaneously alluding to the spiral structure of the thetic-antithetic-synthetic modes of his literary writings. From his diasporic writings of modernism to the innovative practices of his subjective realism, and further down to his transcendental self-representations that have largely extended his narrative boundaries, Nabokov is seen continuously refreshing and renovating the forms of his works across various genres while his thoughts are seen deepening along with the changes in geographical contexts. Therefore, Nabokov, both within and outside the textual spaces, offers us a huge room and a fertile ground for interpretation when his life and works are analyzed from the perspective of mobility theory.更多还原