【摘要】 清末民初张仲球私园张家花园为当时澳门地区首屈一指的名园。此园在营造艺术上具有鲜明的时代特征和地域特色，具有重要的人文历史价值，然而目前暂未发现该园在营造艺术上的研究成果。通过研读《因树园耆旧会图记》《题张仲球明经〈因树园图〉》等史料，运用路径和地图视角，结合旧时卫星地图和遗址等多种信息，尝试复原其总体布局结构，分析其造园意匠、理景特色与园居活动等。研究发现，张家花园总占地面积约0.7 hm2，整体呈不规则楔形；园内以佛堂为核心，串联居住区、陶社、方塘、长桥、菊篱等关键节点，形成“起-承-转-合”的空间序列，并体现园主“从境求淡”“会通儒释”的造园理念与精神追求。更多还原

【Abstract】 Zhang’s Garden, a private estate built by Zhang Zhongqiu in the late Qing and early Republican period, was regarded as one of the most distinguished gardens in Macau at the time. Characterized by pronounced temporal features and strong regional identity in its design and construction, the garden holds significant cultural and historical value; however, to date, research specifically addressing its garden-making artistry remains scarce. Drawing on historical sources such as Yinshu Yuan Qijiu Huitu Ji and Ti Zhang Zhongqiu Mingjing <Yinshu Yuan Tu>, this study adopts ’path’ and ’map’ perspectives and integrates multiple lines of evidence, including historical satellite imagery and on-site remains, to reconstruct the overall spatial layout and to examine its design intentions, scenographic characteristics, and garden–dwelling activities. The results indicate that Zhang’s Garden covered approximately 0.7 ha and exhibited an irregular wedge-shaped plan. Centered on a Buddhist hall, the garden linked key nodes—namely the residential quarters, the Tao Society, a square pond, a long bridge, and a chrysanthemum hedge—into a sequential spatial experience following a ’qi-cheng-zhuan-he’(initiation-development-transition-closure) structure, reflecting the owner’s aesthetic pursuit of ’seeking plainness through scenery’ and a syncretic worldview that integrates Confucian and Buddhist thought.更多还原