【摘要】 文章以符号学为理论基础，探讨三孔古建筑群设计美学与符号应用的相关问题。通过深入分析三孔建筑的符号体系和文化内涵，揭示了其在历史和文化语境中的重要性。从索绪尔的能指与所指、皮尔斯的符号三分法以及莫里斯的符号学构成出发，通过能指和所指来研究宫殿式建筑的现象与表达。通过符号学理论中的图像符号、指示符号、象征符号解读三孔建筑中符号元素，剖析了其在建筑美学中的独特地位与其内在的文化内涵。通过符构学、符意学、符用学来探索建筑形制、布局、装饰、结构等方面的设计美学，挖掘建筑所表达的深层历史含义及特殊地域文化。更多还原

【Abstract】 Based on the theory of semiotics, this paper discusses the design aesthetics and symbolic application of the Three Confucian Sites Ancient Building Complex. Through an in-depth analysis of the symbol system and cultural connotation of the Three Confucian Sites Building, its importance in the historical and cultural context is revealed. Starting from Saussure’s signifier and signified, Pierce’s symbolic trichotomy and Morris’ s semiotic composition, the phenomenon and expression of palace-style architecture are studied through signifier and signified. The symbolic elements in the Three Confucian Sites Building are interpreted through the image symbols,indicative symbols and symbolic symbols in semiotic theory, and its unique position in architectural aesthetics and its inherent cultural connotation are analyzed. Through the study of symbol construction, symbolism and symbolic use, the design aesthetics of architectural form, layout, decoration, structure and other aspects are explored, and the deep historical meaning and special regional culture expressed by the architecture are excavated.更多还原