【摘要】 工艺美术的变化是社会生活状况变化的直观反映，中外工艺的融合是推动艺术乃至社会发展的主要力量。日本正仓院所藏传世珍品弥补了考古发掘中缺少有机文物的遗憾，是研究唐与中西亚、东北亚关系的关键性物证。以日本正仓院藏品为中心，可以将中古时期工艺美术变迁概括为工艺渗透和工艺变形两种模式。这两种模式都体现了西域文化的中国化、东亚化过程，有助于加深对中古到近世转型的表现的认识。更多还原

【Abstract】 Changes in decorative arts serve as a direct reflection of shifts in social life, while the integration of Chinese and foreign craftsmanship has long been a driving force in the evolution of both art and society.The Shōsōin collection in Japan, comprising rare and well-preserved artifacts, compensates for the scarcity of organic materials in archaeological contexts and offers crucial material evidence for studying the interactions between Tang China, Central and Western Asia, and Japan. Focusing on the Shōsōin holdings, this paper proposes two key models to describe transformations in medieval Chinese decorative arts: craft interaction and craft transformation. Both models reflect the process of sinicizing foreign elements and contribute to a deeper understanding of cultural shifts from the medieval to early modern periods.更多还原