【摘要】 《海浪》是伍尔夫极具创新性、充满实验主义色彩的力作，也是她探索文学—音乐关系的重要跨媒介实践。从《海浪》的构思到完结，贝多芬音乐对其创作过程产生了深刻的影响。小说无论在形式还是内容上都与贝多芬晚期弦乐四重奏存在着密切的关联。在小说音乐化“隐蔽媒介间性”框架内，通过显性“讲述”和隐性“展示”，伍尔夫对贝多芬降B大调弦乐四重奏在形式与结构、主题化和想象内容以及作曲技法层面进行了效仿和类比，完成了一场从宏观到微观，从结构借鉴、主题映射到感知激活的文学—音乐转译实验。《海浪》与贝多芬音乐之间的高度契合使其成为伍尔夫小说音乐化的典型文本。更多还原

【Abstract】 The Waves is Virginia Woolf’s groundbreaking novel of experimentation and one of her important intermedial works exploring the relationship between literature and music. It is evident that Beethoven’s music has a profound impact on the creation of The Waves from its conception to completion. There exists a significant relevance in both form and content between the novel and Beethoven’s late string quartets in B-flat Major. Within the framework of “covert intermediality” in the musicalization of fiction, Woolf draws an analogy between her novel and Beethoven’s string quartets in structure, thematization and imaginary content, and composition technique by way of implicit “showing” and explicit “telling”. Thus Woolf accomplishes an experiment in transmediation spanning from macrocosmic structural adaptation and thematic mapping to microcosmic perceptual activation. The profound convergence between The Waves and Beethoven’s music thereby establishes it as a paradigmatic text of Woolfian musicalization of fiction.更多还原