【摘要】 近十年来，以搜索引擎为主导的Web 1.0被以社交媒体平台为主导的Web 2.0逐步取代，后者得以广泛拓展并深刻作用于网络人际交往环境的塑造。网民在鲁迅网络传播这一过程中参与的广度、程度以及维度都与之前相去甚远，而网络资源和个体用户的充分联结使我们得以窥探现代经典与新兴媒介的碰触交融及前者在大众文化中的后现代命运。本文主要采用观察法和个案研究法，择取戏仿、改编、拼凑的衍生文学，社交平台上的短文本以及网络趣缘群体的文案三种具有症候性意义的“网络鲁迅”衍生文本个案进行分析，以探究网络媒介在形塑文学经典方面的作用，并提出兼具批判性与建设性的意见。更多还原

【Abstract】 In the past ten years, Web 1.0, which is dominated by search engine, has been gradually replaced by Web 2.0, which is dominated by social media. The latter has been widely expanded and has a profound effect on the shaping of network interpersonal communication environment. The breadth, degree and dimension of netizens’ participation in the process of Lu Xun’s network communication are far beyond what they were before, and the full connection between network resources and individual users enables us to pry into the collision and blending of modern classics and emerging media and even the postmodern fate of the former in mass culture. This paper mainly uses the observation method and the case study method, through the parody, adaptation, patchwork of derivative literature, short text on social platform and text of network interest group, the three Lu Xun’s network image’ derivative text with symptomatic significance to do case analysis, to explore the role of network media in shaping literary classics, and put forward both critical and constructive opinions.更多还原