【摘要】 大运河自开凿以来，有关它的图像就不绝于史。古代由于漕运价值突出，舆图居多；当代因文化价值凸显，以景观图像居多。从艺术地理学视域来探究长三角大运河母题绘画，通过图史互证，了解绘画风格的历史嬗变，发现绘画背后的主体意识、经济与政治背景等。绘画与地域相关，大运河母题绘画反映江南地区的诗性美学影响；绘画也是主客观同时建构的呈现，具有开放性。未来依托新的时代语境尤其是审美文化的嬗变和发展，大运河母题绘画也会发生相应的改变。更多还原

【Abstract】 Since the construction of the Grand Canal,visual representations of it have continuously appeared throughout history. In ancient times,due to its prominent value of grain transport,cartographic images prevailed;in contemporary times,as its cultural value has come to the fore,landscape images have become dominant. From the perspective of art geography,an inquiry into motif paintings of the Grand Canal in the Yangtze River Delta—through an interplay of images and texts—helps trace the historical transformation of painting styles and uncover the underlying subjectivity,as well as the economic and political contexts. Painting is inherently bound to place:the motif paintings of the Grand Canal reflect the influence of the poetic aesthetics of the Jiangnan region. Painting is also a presentation simultaneously constructed by the subjective and the objective,marked by openness. Looking forward,grounded in the new historical context and in response to shifting aesthetic cultures,the motif paintings of the Grand Canal will inevitably undergo corresponding transformations.更多还原