【摘要】 20世纪20年代发生的创造社集体“转向”事件，不能单纯地被看成是一个文学社团的政治抉择，而是中国现代“文心”重构过程中的一个里程碑式事件。创造社是一个自带革命基因和道德纯洁主义倾向的浪漫派社团。他们在现实革命斗争中完成了无产阶级集体主义精神的“洗礼”，坚信马克思主义人学所揭示的无产阶级“革命情感”的正义性。在创造“革命文学”这一总目标下，他们率先运用马克思主义唯物论文学史观，与人性论者和写实派作家展开了论争和批评实践，整体性地推动了五四新文学作家对文学的价值、作家的世界观以及创作方法等命题的思考，为建构集体主义美学与现实主义文论铺平了道路。更多还原

【Abstract】 The turning of the Creation Society in the 1920s cannot be simply seen as a political choice of a literary society,but rather a milestone event in the process of reconstructing China’s modern“literary heart”. The Creation Society was a romantic society with revolutionary“genes”and a tendency towards moral purity. They underwent the“baptism”of proletarian collectivism in the struggle of the real revolution and firmly believed in the justice of the proletarian“revolutionary emotions”revealed by Marxist humanism. Under the overall goal of creating“revolutionary literature”,the Creation Society pioneered the use of Marxist materialist literary history,engaging in debates and criticism with humanists and realistic writers,and comprehensively promoted the thinking of the“May Fourth”new literary writers on the value of literature,writers’ worldview,and creative methods,paving the way for the construction of collectivist aesthetics and realistic literary theory.更多还原