【摘要】 2022年11月，南京大学艺术学院邀请英国伦敦大学的戏剧专家玛丽亚·谢弗索娃进行线上讲座。鉴于她对于美国知名戏剧导演罗伯特·威尔逊长期的研究，且出版过学术专著，主办方提议她做一场罗伯特·威尔逊的专题演讲。之后，根据她的演讲稿，又结合她相关的学术出版加以补充完善，整理出这一篇演讲类型的学术文章。谢弗索娃介绍了威尔逊近期的艺术实践，并梳理了其从“无声”到“有声”的创作历程。她结合具体案例，指出威尔逊倾向于用对位法处理各个舞台元素间的关系，使其在平行的轨道上运行，而非相互融合。顺应这种导演观念，威尔逊作品中的声域与寂静在独立的状态下进行互动，从而构成了独特的声景。更多还原

【Abstract】 In November 2022, the School of Arts of Nanjing University invited Maria Shevtsova,an expert in theatre and performance studies from the University of London, UK, to give a lecture online. Considering her enduring research on the world-renowned American stage director Robert Wilson, the organizer proposed that she give a thematic speech on him. After the event,Shevtsova’s speech was compiled into an academic paper with due reference to her previous publications. Shevtsova introduces Wilson’s latest artistic practices, and methodizes Wilson’s stage works which have made their way from “silence” to “sound”. With detailed exemplifications,she argues that Wilson is disposed towards a principle of counterpoint when arranging theatrical entities, running them in parallel tracks instead of fusing them together. Following this directorial principle, the sonosphere and silence in Wilson’s works interact with each other as independent components of his characteristic soundscapes.更多还原