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文学语象新论

The Verbal Image in Literature

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【作者】 李玉平

【Author】 Li Yuping;the School of Literature, Nankai University;

【机构】 南开大学文学院

【摘要】 文学语象是文学中基于语言而形成的心象,它存在于作者创作及读者阅读的过程中。记忆是语象生成的心理基础,想象是语象生成的心理过程。语象实现了真正意义上的“通感”,它具有片面性与超越性、“一”与“多”相统一的特点。文学符号属于皮尔斯提出的符号十大分类中的第八类呈符-规约符-型符。依据皮尔斯的三元符号论,作为解释项的语象凸显了文学符号的“无限衍义”,其生成与运行是一个“符号性孕义”与“试推”的过程。语象对文学研究与符号学均具有重要的意义。

【Abstract】 The Verbal image in literature refers to a mental image prompted by language,which exists in the author’s creative process and the reader’s engagement. Memory serves as the psychological foundation for generating the verbal image, while imagination acts as the psychological process through which the verbal image is formed. The verbal image has achieved true synesthesia, characterized by partiality and transcendence, uniting the singular and the manifold. The literary sign belongs to the rhematic symbolic legisign, the eighth in the ten major categories of sign proposed by Charles Sanders Peirce. According to Pierce’s triadic sign, the verbal image, as an interpretant, highlights the “infinite semiosis” of the literary sign.The generation and operation of the verbal image involves a process of “symbolic pregnance”and “abduction.” In this sense, the verbal image is of great significance to both literary studies and semiotics.

【基金】 国家社会科学基金一般项目“文学的语图互文性研究”(20BZW002)~~
  • 【文献出处】 外国文学研究 ,Foreign Literature Studies , 编辑部邮箱 ,2024年06期
  • 【分类号】I06
  • 【下载频次】94
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