【摘要】 运用文献资料法、专家访谈法与逻辑分析法等方法，以“阴阳变化”思想为视角，对中国武术技艺表现中的审美关系进行系统研究。研究指出：“阴阳变化”思想中武术技艺蕴含着“对立、融合、衍生”三层审美关系。在阴阳对立层面，武术技艺招式演练中“刚柔相济”、韵味意境中“节奏缓急”以及技击攻防中“虚实转换”都具有对立审美关系；在阴阳融合层面，相生论中的“以形达意”、同异论中的“以意助气”以及实有论中的“以气贯力”都具有融合审美关系；在阴阳衍生层面，武术技艺是一种从身体之形到时空美、从身体意向到意境美、从身体实践到德性美的衍生。这三层审美关系，不仅揭示了中国武术技艺内在的美学逻辑，而且彰显了阴阳哲学对传统武术文化的深远影响。通过对这三层审美关系的深入剖析，期许为实现审美与武术互构的重新表达与叙述提供理论借鉴与实践参考。更多还原

【Abstract】 Using the method of documentary and logical analysis, this study systematically examines the aesthetic relationships in the performance of Chinese martial arts from the perspective of “Yin and Yang changes”. The findings reveal that philosophy of “Yin and Yang changes” in martial arts encompasses three levels of aesthetic relationships: opposition, integration and derivation. At the opposition level, martial arts exhibit contrasting aesthetics, such as the balance of “rigidity and flexibility” in movements, “varying rhythms” in artistic expression, and the “transformation of reality and emptiness” in attack and defense. At the integration level, aesthetic harmony is achieved through concepts such as “expressing intent through form” in the theory of mutual generation, “enhancing Qi with intent” in the theory of unity and diversity, and “channeling energy through Qi” in the theory of actualization. At the derivation level, martial arts are a kind of derivation from physical form to spatial and temporal beauty, from physical intention to contextual beauty, and from physical practice to moral beauty. These three aesthetic relationships not only reveal the inherent aesthetic logic of Chinese martial arts but also highlight the profound influence of Yin-Yang philosophy on traditional martial arts culture. Through an in-depth analysis of these aesthetic relationships, the study aims to provide theoretical insights and practical guidance for re-expression and narration of the inter-construction of aesthetics and martial arts.更多还原