【摘要】 作为极具多元艺术特色的舞台视听盛宴,秦腔戏曲在英语国家的有效传播取决于目标语受众准确理解演出内容。由于文化差异,舞台演出视听呈现内容无法全部为外国观众所接受,对于地域性较强的文化信息需要辅以语言文字进行解释说明。因此合适的英文字幕成为连通观众与舞台演出的桥梁,而字幕翻译则成为搭建这一桥梁中必不可少的一环。英文字幕及时准确地解释舞台演出背景、演员台词动作,从而实现语言模态与视觉、听觉模态的连贯。本文采用Norris提出的模态密度前景——背景连续体分析理论,结合秦腔舞台演出的文学性、音乐性、地域性、表演性特征,对表演过程中演员的唱腔动作、神态表情、服饰妆容及舞台背景、音乐伴奏等进行了模态归属,提出基于翻译视角下的秦腔舞台表演多模态连贯框架,以剧本《杨门女将》《五典坡》《三滴血》等经典片段为例,通过强化式和缩减式翻译策略,探讨舞台表演中语言、听觉及视觉模态之间的相互作用,探明其意义重构所传递信息与目标语受众接受意识之间的连贯衔接路径。更多还原

【Abstract】 As a stage audio-visual feast with diversified artistic characteristics, the effective spread of Qinqiang in English speaking countries depends on the audience’s comprehension of the stage performance. However, due to cultural differences, the audio-visual content of performances cannot be fully accepted by foreign audiences, and the regional cultural information needs to be supplemented with language explanations. Therefore, proper English subtitle becomes a bridge between the audience and the stage, and subtitle translation becomes an indispensable part in building this bridge, which requires to illustrate the background of the performance, the actor’s lines and actions in a timely and accurate manner, so as to achieve the coherence of language mode with both visual and auditory modes. Based on Modal Density Foreground—Background Continuum put forward by Norris, combined with the literary, musical, regional and performing characteristics of Qinqiang stage performance, this paper attempts to classify the actors’ singing movements, facial expressions, costumes and makeup, stage background and music accompaniment in the performance, and put forward a multimodal coherence framework of Qinqiang stage performance from the translation perspective. Through a case study of the translation of Qinqiang classics Women Generals of Yangs, Wudian Po and Three Drops of Blood, it also attempts to explore approaches to the coherence and cohesion between the information transmitted by the meaning reconstruction during the interaction of linguistic-audio-visual modes and the acceptance consciousness of target language audiences, employing the two translation strategies of reinforcement and reduction.更多还原