【摘要】 中国文学研究对创伤理论的场外征用有着深刻的现实关怀意味，与此同时，创伤理论仍然存在着一定的“个体缺失”和“实践缺失”。对此，疗愈写作携创意写作关注个体、祛魅创作的学科意识，作为一种指向个体的实践回应即时出场。20世纪以来，以精神分析为代表的心理学说的诞生、西方频发的系列战争以及心理咨询中写作治疗的发展，为疗愈写作的登场提供了不可或缺的理论支撑、实践雏形和专业化的应用情境。对疗愈写作进行本质性的追问后发现，它与传统的文学四要素存在着极大不同。新的四要素“作者”“疗愈师”“世界”以及“文本/作品”构成疗愈写作在作者主体身份、“作者—疗愈师”的主体间性、受疗内容、情境与文本二者的特殊性和公开化四个方面的重要议题。更多还原

【Abstract】 The study of Chinese literature has a profound realistic concern for the off-site expropriation of trauma theory, but at the same time, there are still some deficiencies of individual deficiency and practice deficiency. In this regard, healing writing brings the discipline consciousness of creative writing focusing on individuals and disenchantment creation, as a practical response to individuals. Since the 20th century, the birth of psychological theory represented by psychoanalysis, the frequent wars in the west and the development of writing therapy in psychological counseling have provided indispensable theoretical support, embryonic form of practice and professional application situation for the appearance of healing writing. After probing the essence of healing writing, it is found that it is very different from the four elements of traditional literature. The new four elements, author, healer, world and text/work, constitute four important issues of healing writing in the author’s subject identity, the intersubjectivity of author-healer, the content and context of healing, and the particularity and openness of text.更多还原