【摘要】 中国画论中，历代画家、理论家们探讨的避忌范畴极为繁杂，本文立足于品评标准，将其归纳为“有形病”与“无形病”二类，而“陋劣中有至好”，避忌范畴多具有向正面范畴转化的可能性。论文从以上几个方面对中国画品评中具有代表性的避忌范畴作大致的梳理探析，并揭示其本质特征。更多还原

【Abstract】 In Chinese painting theor y, the categories of avoidance discussed by painters and theorists throughout histor y are extremely complex. Based on the evaluation criteria, this ar ticle categorizes them into two categories: "visible diseases" and "invisible diseases". "The best is in the worst", and the avoidance categories often have the possibility of transforming into positive categories. The paper roughly sor ts out and analyzes the representative categories of avoidance in the evaluation of Chinese painting from the above aspects, and reveals their essential characteristics.更多还原