节点文献

中国传统文化的审美意蕴及其时代创新

Aesthetic Connotation of Chinese Traditional Culture and Its Innovation in the Current Era

  • 推荐 CAJ下载
  • PDF下载
  • 不支持迅雷等下载工具,请取消加速工具后下载。

【作者】 郝凝曦骆冬青

【Author】 Hao Ningxi;Luo Dongqing;

【机构】 南京师范大学文学院

【摘要】 中国传统文化在历史的星空历经文化基因的层累涵濡和共时扩张,形成了深远而灿烂的美学传统。在数千年的审美实践历程中,中国先贤以其“天人合一”的超越性审美意识、多感官统摄的协调性审美关照、艺术作品和人伦日用兼顾的全面性审美范畴,展现了独特的审美禀赋和审美旨趣,形成了神韵悠远的中华审美风范。蕴含在中国古代文学、音乐、书法、绘画、建筑、服饰、饮食、熏香等众多审美对象中的中国式美学眷注,集中体现在比兴之美、真善之美、意境之美、含蓄之美等审美旨趣之中。面对新技术催生的艺术创造领域变革、新时代主要矛盾变动引发的审美旨趣变化、新的文明交流互鉴趋势带来的文化软实力竞争,承扬中华美学精神应守住“人民立场”,坚持言为心声,不致使“人学空场”,以虚实相生的态度对世界文化博观约取,在“活态”传承中实现创造性转化和创新性发展。

【Abstract】 The Chinese aesthetic tradition has evolved through the accumulation and expansion of the Chinese cultural genes in its long history.Over thousands of years, Chinese sages, have developed in practice a transcendental aesthetic consciousness of “harmony between humanity and nature”, a holistic aesthetic care integrating multi-senses, and an comprehensive aesthetic category inclusive of art works and daily life. They have demonstrated their unique aesthetic endowments and aesthetic interests, thus forming the Chinese aesthetic style with a long-lasting charm. The Chinese aesthetic concerns embedded in many aesthetic works including ancient Chinese literature, music, calligraphy, painting, architecture, clothing, food, incense, etc. are mainly embodied in such aesthetic interests as the beauty of analogy and association, the beauty of truth and goodness, the beauty of artistic mood, and the beauty of subtlety. In the contemporary world featuring changes in the field of artistic creation spawned by new technologies, changes in aesthetic interests triggered by major changes in the new era, and growing cultural soft power competition against the new trend of civilisational exchanges, we should carry forward the spirit of Chinese aesthetics by adhering to the “people’s standpoint”, sticking to the “words-are-the-voice-of-the-heart” principle, and avoiding the abjection of the humanities. Simultaneously, we should open up to and borrow from the diverse world culture with an understanding of the traditional Chinese aesthetic practice—“the complementarity of the real and imaginary”, so that we can transform and develop the “living” heritage in creative and innovative ways.

【基金】 国家社科基金项目“汉字神话学研究”(23BZW022)的阶段性成果
  • 【文献出处】 南京社会科学 ,Nanjing Journal of Social Sciences , 编辑部邮箱 ,2024年08期
  • 【分类号】G122;I01
  • 【下载频次】107
节点文献中: 

本文链接的文献网络图示:

本文的引文网络