【摘要】 在诗歌中最早描写萱草的是《诗经·卫风·伯兮》,其初始内涵是忘忧。此后，萱草意象在诗歌中广泛出现。唐代文人创作了大量的萱草诗，对萱草意象的内涵进行了创新性的开拓与整合。除“忘忧”内涵外，唐诗中的萱草又拓展出以萱草指代母亲，表达游子思乡的意蕴。同时，唐诗还注重对萱草植物形态和品格的挖掘。自此，萱草意象已经具备树萱以忘忧、隐喻游子思母、描绘植物属性三种主要内涵，成为一种具有多重意义的诗歌意象。更多还原

【Abstract】 The earliest poem describing Hemerocallis fulva is “Boxi” in The Book of Songs, and Hemerocallis fulva possesses the original connotation of forgetting worries. The imagery of Hemerocallis fulva appears widely in poetry, and the literati of the Tang Dynasty created a large number of poems related to Hemerocallis fulva and innovatively developed and integrated the connotation of Hemerocallis imagery. In addition to the connotation of “forgetting worries”, Hemerocallis fulva in the poetry of the Tang Dynasty also expands the meaning of the homesickness of the wanderer based on reference of the mother with Hemerocallis fulva. At the same time, the poetry of the Tang Dynasty also pays attention to the excavation of the shape and character of Hemerocallis fulva plants. Thus, the imagery of Hemerocallis fulva has become a poetic imagery with multiple meanings such as forgetting worries, wanderer’s missing of mother, and depicting the plant’s characteristics.更多还原