【摘要】 文章以沈阳故宫烟琢墨石碾玉旋子彩画为界定对象，从彩画的分布情况、工艺做法、纹饰特征和设色搭配等方面着手，将沈阳故宫内清入关前、后两个时间段内绘制的烟琢墨石碾玉旋子彩画特征进行对比，科学地解读其背后所隐藏的民族文化特色和反映的时代特征，以期为中国清代官式建筑彩画的发展和成型研究提供补充。更多还原

【Abstract】 The paper takes the Shenyang Imperial Palace’s smoke-faceted ink stone grinding jade swirling color painting as the defined object, and starts from the distribution of the painting, process practice, ornamental characteristics and color matching, and compares the characteristics of the smoke-faceted ink stone grinding jade swirling color painting painted in the Shenyang Imperial Palace before and after Qing Dynasty’s entry through Shanhaiguan Pass, and scientifically interprets the hidden national cultural characteristics and the characteristics of the times reflected behind them,in order to provide a supplement to the study of the development and shaping of Chinese Qing Dynasty official architectural painting.更多还原