【摘要】 在伪满洲国文学杂志《艺文志》刊载的作品中，跨越小说、诗歌等体裁，“流浪者”构成一个形象系列。彼此之间创作风格、创作领域、思想观念有着显著差异的《艺文志》作家，不约而同地以各自的方式进行过流浪书写。流浪书写既流露了他们共同的生命感知与深层意识，也是一种心照不宣的“暗语”。在殖民统治下从事文学创作的生存境况与屈辱感受，塑造了《艺文志》作家们的自我身份认知，在笔下幻化为“流浪者”的心像，形成了以“故乡土地上的流浪者”形象为独特内核的流浪书写现象。更多还原

【Abstract】 In Art and Literature Record,a literary magazine of pseudo-Manchukuo,the images of vagrants form a series of images across genres such as novels and poems. The writers of Art and Literature Record,who have significant differences in their writing styles,fields of creation and ideas,have all written about vagrants in their own ways. Wandering writing not only reveals their common life perception and deep consciousness,but also is a kind of tacit“code language”. The living conditions and humiliating feelings of literary creation under colonial rule shaped the self-identity of the writers in Art and Literature Record,who transformed themselves into the mental image of“wanderers”in their works,and formed the phenomenon of wandering writing with the image of“wanderers in hometown land”as the unique core.更多还原