【摘要】 《红楼梦》是一部以京杭大运河为底色的小说，其续书《红楼复梦》和《红楼圆梦》则将京杭大运河由前书的底色转化为塑造人物、演绎情节和表达主题的叙事空间。两书都以重要的运河城镇为节点，形象地将水、岸、城融通一体，以空间转换来架构故事。两书对大运河的书写涉及河道管理、通运、城镇、社会文化等诸多方面，大到制度，细至运河上的桥、闸、坝、堤、船、码头及税关、衙署、庙宇、名胜、典故、传说等，多方位的运河文化书写赋予了两书可资“文史互证”的文献学价值。更多还原

【Abstract】 Hong Lou Meng is a traditional Chinese novel taking the Beijing-Hangzhou Grand Canal as part of its setting. Its sequels, Hong Lou Fu Meng and Hong Lou Yuan Meng, turn the Grand Canal from a mere backdrop in the original work into a narrative space for character development, plot progression and thematic presentation. In both sequels, significant towns and cities along the Grand Canal are employed to link the water, and shores of it, as well as these towns and cities, which are integrated into a cohesive system to present the stories through spatial transitions of various stages. The portrayal of the Grand Canal in the two books involves a variety of aspects of the then society, including watercourse management, transportation and communication, towns and cities and socio-cultural dimensions, ranging from social systems of the macro level to micro details, such as bridges, sluices, dams, embankments, boats and docks along the Grand Canal, as well as taxation offices, government offices, temples, scenic spots, historical allusions and legends related to it. The multifaceted cultural presentation of the Grand Canal endows the two works with rich documentary value, as a case of that mutual corroboration between literature and history.更多还原