【摘要】 纵观耀州窑的整个发展历程，其在五代时期质量有巨大提升，而这一突变式发展，受益于当时青瓷之冠——越窑青瓷技术的引进和推广，耀州窑青瓷从器形、装饰、题材、装烧、窑具等一系列方面均受到越窑的深度影响，其最具特色的雕、刻花装饰，明显具有越窑的影子。从越窑的发展历程来看，其在五代时期以素面为主，流行花口与瓜棱腹，出现浅浮雕装饰；北宋早期流行细线划花工艺，浅浮雕比例增加，近中期开始出现粗刻花；北宋中期流行粗刻花，轮廓内填以篦划纹；北宋晚期则主要是仅有轮廓的粗刻花。而耀州窑青瓷的装饰发展历程几乎与越窑相一致，仅略滞后。这从另外一个方面证明了耀州雕刻花以及粗刻花技法不可能在五代及北宋早期前段流行。更多还原

【Abstract】 The introduction and promotion of the advanced techniques applied to the Yue Yao-celadon contributes to the Yaozhou Yao-porcelain leaping in quality during the period of the Five Dynasties in its development.The Yaozhou Yao-celadon is most influenced in shape,decoration,themes,firing process and kiln furniture,which in artistic carving and incising decoration sharply embodies the products of Yue Yao in style and craft.The Yue Yao porcelain went through stages in motif progress:specifically,it is featured by plain appearance,floralshaped mouth and melon-ribbed belly,with the bas-relief pattern emerging in the Five Dynasties;it is decorated with line-carving,with bas-relief increasing and rough-carving pattern in motif in the early Song Dynasty;it is designed with rough-carving and grid outlines to form a multi-layered decoration in the middle of the Northern-Song dynasty;it shows the outlined rough-carving design by the late Northern-Song Dynasty.The Yaozhou Yao-celadon was closely following the Yue Yao-celadon in evolution process.What is analyzed above meanwhile indicates that carving and coarse-incising techniques has no chance to be used in the processing of the Yaozhou Yao wares in the period of the Five Dynasties and the early Northern-Song dynasty.更多还原