【摘要】 杂宝纹是中国传统装饰纹样之一，在明代已发展为相对成熟的纹样，其造型小巧、寓意吉祥。杂宝纹被巧妙地织入各种题材纹样的丝绸之中，并随当时的海外贸易，经由海上丝绸之路传入日本及朝鲜半岛，为异国的丝绸拥趸所关注。文章以明代传世丝绸经面为基础，通过类比日本、朝鲜半岛相似纹样的织物，探究明代丝织品上杂宝纹的题材、造型、构图、组合等特征，以及其所反映出的中日朝纺织艺术的传播与交流。更多还原

【Abstract】 As one of the traditional Chinese decorative patterns, the miscellaneous treasure pattern became a common design in the Ming Dynasty. It was ingeniously woven into various themes and patterns of silk due to its small size and auspicious symbolism. At the time, it was imported to Japan and the Korean peninsula via the Maritime Silk Road, which attracted the interest of foreign silk enthusiasts. Based on the silk sutra cover of the Ming Dynasty, this paper aims to investigate the content and combination of the miscellaneous treasure pattern on the silk of the Ming Dynasty and the dissemination and exchange of textile art between China, Japan, and Korea as reflected in the pattern by comparing the pattern to fabrics with similar patterns in Japan and the Korean peninsula.更多还原