【摘要】 苏青作品何以在1940年代上海文坛流行?以往研究多认为其作品只是迎合受众心理的世俗之作，因此其成为时兴的文化现象是当时商业社会环境作用下的结果。但当我们突破传统文学本质论和简单化的社会建构论的分析模式，借鉴法国社会学家拉图尔“行动者网络理论”中的相关概念来梳理苏青文学的创作与接受的关系网络，将发现苏青在多向度的复杂文化环境中，以日常化散文小说构成文学通俗化进程的组成部分和促进因素；其作品的叙述方式和观念表达在不同的转译网络中形成多样化的价值判断，拓宽了文学的表达空间；由于本质化过程的缺失，呈现出更加开放的阐释空间。这种理论借鉴将深化我们对苏青的创作在1940年代上海文坛流行的文学史意义的认知，也为我们研究现代通俗文学开拓出新的进路。更多还原

【Abstract】 Why did Su Qing become popular in the Shanghai literary circle in the 1940s? Previous studies mostly believe that her works are purely secularized works catering to the psychology of the audience, which makes her popularity a passive result against the background of a commercial society. After moving away from traditional theory of literary essence and simplified social constructionism, the network of literary creation and reception of Su Qing’s works can be analyzed on the basis of concepts of “actants” and “translation” from the “actor network theory” proposed by French sociologist Bruno Latour. It is found that Su Qing took advantage of the multidimensional cultural environment and constituted a part of the literary popularization by the creation, reception and criticism of secularized prose fiction. Taking inspiration from secular life, ways of expression and presentation of ideas in Su Qing’s works exhibited diversified value judgment in different translation networks and the scope of literary expression is thereby broadened. Due to the lack of essentialization process, her works become more open to interpretations. Thus, a diversified scene of modern popular literature can be presented and a better understanding of the popularity of Su Qing’s works among the literary circle in Shanghai and its significance in literary history can be attained.更多还原