【摘要】 1934年，正中书局出版《电影界的新生活》一书，作者洪深从“新生活”这一角度切入，研究二十世纪二三十年代的中国电影界，对电影从业人员专业化、制作职业化、电影教育等方面进行了探索。表面上看，洪深试图以“新生活运动”相关理论思想为指导原则来改良电影界，但实际上，作为启蒙知识分子的洪深将具有政治语义的“新生活运动”从社会改造运动转换成“为人生而艺术”的影界改良运动。作为政治话语的“新生活”被洪深转喻为20世纪30年代的影业追求。更多还原

【Abstract】 In 1934,the Zhengzhong publishing house published Hong Shen’s The NewLife of Film Industry,The author from the perspective of the “new life” into the 1920s and 1930s of Chinese film industry, In the film practitioners professional, professional production,film education and other aspects of the exploration. On the surface, Hong Shen let “New life movement” theory as a guiding principle, trying to improve the film industry. The essence is the deepening of the enlightening intellectuals, and the political meanings of the “New life movement” from social transformation to “Art for life” for improving the film industry, The “new life” as a political discourse has been translated into the pursuit of the film industry in the 1930s.更多还原