【摘要】 普里什文童年出逃“无名之国”这一事件作为元情节在其文学空间内延伸出对理想国度和新社会秩序的渴望与追寻，而“无名之国”也作为理想世界的元空间预先描摹了普里什文式的乌托邦图景。在早期创作中，普里什文不断对其精神空间进行拓荒，希冀探索到一片承载平衡与统一的神赐之地。而在苏联时期的作品中，“无名之国”的象征逐渐衍化成对理想社会秩序的建构，最终在“伦理共产主义”的构想中实现了个人真理与国家真理的和解。作家一系列的探索行为不仅延续了其童年对理想乐土的冒然奔赴，藉此也著成了宏大的诗人使命的神话。更多还原

【Abstract】 The event of Prishvin’s childhood journey to the “Unnamed kingdom”serves as a meta-plot extending in his literary space the desire and search for an ideal state and a new social order, while the “Unnamed kingdom” also serves as a meta-space for the ideal world that prefigures the Prishvin’s utopia. In his early works, Prishvin continued to explore his spiritual space, hoping to find a blessed land that holds balance and unity. In the works of the Soviet period, the symbol of the “Unnamed kingdom”gradually evolved into the construction of an ideal social order, culminating in the reconciliation of individual and national truths guided by an ethical communist vision.The writer’s series of explorations not only continue his childhood venture into the ideal land, but also create the grand myth of the poet’s vocation.更多还原