【摘要】 以往学者将长武县唐墓出土女俑形象识读为唐代舞蹈俑，将女俑衣着归为乐舞服饰装扮。然而通过详细分析比对这类女俑的典型服饰形象，笔者认为此类形象实为道教女仙俑。文章在此基础上探究女仙俑形象的建构逻辑，依据其独特动作和手势细节分析墓中随葬此类女仙俑的实际功用。对女仙服饰典型符号的辨认可以纠正以往学界对墓葬中部分图像材料的误读，从而发现初唐墓葬中道教女仙以壁画、随葬俑等形式广泛存在，而这一形象背后也承载着人们对女仙信仰的集体认同。更多还原

【Abstract】 The previous scholars interpreted the images of the female figurines unearthed in the Tang Tomb in Changwu County as the dance figurines of the Tang Dynasty, and attributed their clothing as the music and dance costumes. However, by analyzing the typical costumes of these female figurines, we can determine that these images are Taoist female immortal figurines. According to the unique details of their movements and gestures, we can analyze the actual function of these female immortal figurines and explore the logic of creating the image of female immortal figurines. Based on the typical symbols of the female immortals’ costumes, we can clarify the misinterpretations of some images, and reveal that the Taoist female immortals in the tombs of the early Tang Dynasty are widely present in the form of murals and burial figurines, which became a typical image for the people who knew at a glance. It reflects the Taoist culture is deeply rooted in the concept of funeral and burial and this image carries the collective identification with the belief in female immortals.更多还原