【摘要】 圆明园四十景图中，“夹镜鸣琴”的构图非常特别，画面大量留白，与其余建筑景物密集的诸景图咏大相径庭。从景题解释着手，综合御制诗与样式雷图档等文献资料，结合遗址调查，论证“夹镜”与“鸣琴”的意象及其相生关系，从而探寻“夹镜鸣琴”略施笔墨而跻身四十景的高超点景手法。更多还原

【Abstract】 The composition of the Jiajing-Mingqin scene is very distinctive in the 40 Scenes of Yuanmingyuan. There is a lot of blank left, which is quite different from other scenes densely populated with buildings. This study begins with the interpretation of the name of the scene and demonstrates the imagery and relationship between Jiajing and Mingqin with the imperial poems,Yangshi Lei archives, other documents and the site investigation, to explore the superb technique of Jiajing-Mingqin.更多还原