【摘要】 艺术管理美学是艺术美学与管理美学的交叉领域，亦是艺术美学在艺术管理领域的实践应用性研究。实践在于艺术管理是对艺术活动、行为进行组织化、规范化、制度化的调控，即当艺术美学将视域投向艺术管理时，其实践会发生本体、过程、主体三个维度的转向。这种转向意味着艺术管理美学是在精神层面与物质层面并重的情况下，对艺术生产、传播、消费等环节的实践结果、实践过程、实践主体三个维度的观照。这种观照体现着实践美学关于“双本体”“积淀说”“主体性”等核心观点的思考：运用实践美学的观点，反观艺术管理美学，以此挖掘艺术管理美学的理论潜能，进而探索构建艺术管理学科、学术、学人话语体系的理论空间与应用场景。更多还原

【Abstract】 Art management aesthetics is the cross study of art aesthetics and management aesthetics, and also the practical expansion of art aesthetics in the field of art management. The practice lies in the fact that art management is a practical exploration of the organization, standardization and institutionalization of art activities and behaviors, that is, art management activities. The expansion lies in the fact that when art aesthetics puts its vision into art management, there will be a shift in the three dimensions of ontology, process and subject. This shift means that art management aesthetics is a reflection on the three dimensions of practice results, practice process and practice subject of art production, communication and consumption under the condition of paying equal attention to spiritual and material aspects. This kind of reflection embodies the thinking of the core viewpoints of practical aesthetics on “Double ontology”, “The Theory of Sedimentation”, “Subjectivity ”and so on. Therefore, this paper uses the viewpoint of practical aesthetics to reflect art management aesthetics, so as to tap the theoretical potential of art management aesthetics, and then explore the theoretical space and application field of constructing the discourse system of art management discipline, academics and scholars.更多还原