【摘要】 对易象、意象的产生进行追踪溯源和历时梳理，探讨中华传统文化“道”之理念和罗曼·英伽登文学作品形而上质概念之间的密切关联与深刻内涵。研究表明：中西方文化在形上之思方面的共性研究、古人思想与现代观念的对比分析、古典思想当代价值的挖掘探究有利于促进古今互释与中西互渐。文章诠释了何为文学作品的形而上质与再现之道，探讨了译者在翻译中如何入“道”,如何取道有方，如何以悟性慧心领悟作者的神韵情思、幽趣情怀，解读与再现作品的大道玄理，如何彰显译本文以载道、传播原作的精神价值和体现译作的社会功能等问题。更多还原

【Abstract】 By tracing back the origin of the concept of images, the present paper associates the Chinese philosophical concept of “Tao” with Roman Ingarden’s concept of metaphysical qualities in literature and delves into the profound connotation involved in them. The findings show that the study of the metaphysical thinking common to both the Chinese culture and the western culture, the comparison and the analysis of the ancients’ thoughts and the modern ideas, the inquiry into the contemporary values of the classical thoughts are all conducive to the reciprocal interpretation between the past and the present and to the mutual transmission between the Chinese learning and the Western learning. The present paper explains what is metaphysical quality and the way to reproduce it in another language. The paper discusses how a translator can get into “Tao”by understanding the profound feelings and significance of the original and then rendering them into the target language to convey the truth, to spread the spiritual values of the original and to perform the positive social functions, etc.更多还原