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《镜花缘》反讽技巧与构建论析

Ironic Techniques and Construction Analysis of Flowers in the Mirror

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【作者】 尚继武; 李传江;

【Author】 SHANG Jiwu;LI Chuanjiang;School of Liberal Arts,Lianyungang Normal College;

【机构】 连云港师范高等专科学校文学院;

【摘要】 清代小说家李汝珍以闲适愉悦、幽默风趣之笔创作了《镜花缘》,其中蕴含着丰富的反讽技巧。这些反讽主要分为四类,分别是言此意彼或交流错位的言辞反讽、认知悖逆或偏离预期的情境反讽、人物无法自控的命运反讽和主体认知矛盾的自我反讽。从某种意义上说,《镜花缘》因其反讽技巧和修辞效果的多样性,而成为《儒林外史》至清末四大谴责小说之间古代章回小说反讽艺术嬗变的桥梁。

【Abstract】 Qing Dynasty novelist Li Ruzhen created Flowers in the Mirror with a leisurely and pleasant,humorous and funny stroke,which contains a wealth of irony techniques. These techniques are mainly divided into four categories: verbal irony of saying this and meaning that or communication dislocation,situational irony of cognitive contradiction or deviation from expectations,destiny irony of characters who cannot control themselves,and self irony of subject’s cognitive contradiction. In a sense, because of its variety of ironic techniques and rhetorical effects,Flowers in the Mirror has become a bridge for the transformation of the ironic art in ancient chapter novels between The Scholars and the four condemnation novels in the late Qing Dynasty.

【基金】 教育部人文社会科学研究项目(19YJAZH038);连云港市第六期“521人才工程”科研资助项目(LRC6202176)
  • 【文献出处】 连云港职业技术学院学报 ,Journal of Lianyungang Technical College , 编辑部邮箱 ,2022年03期
  • 【分类号】I207.41
  • 【下载频次】21
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